How Film Photography Defines Your Client Experience

How Film Photography Defines Your Client Experience

As a film photographer, I feel as though it is important to educate my clients on what sets KTP apart from other services. Besides a special client experience, I am primarily a film photographer, meaning that I shoot mainly on those fun, old-fashioned rolls of film.

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5 Things To Prioritize When Hiring A Film Wedding Photographer

5 Things To Prioritize When Hiring A Film Wedding Photographer

If there’s anything important about hiring a film photographer, and the one thing that separates a film photographer from the rest is……………IT’S ALL ABOUT NATURAL LIGHT!

Film LOVES light. That’s the rule of thumb we are going to remember here as we journey through five things you will prioritize in the planning process after hiring a film photographer.

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How I Shoot Film + My Gear Setup

How I Shoot Film + My Gear Setup

Hi, friends! I am so excited today (like every day) to bring you a post about my film gear setup and how I shoot hybrid at a wedding or session!

I’ve been slowly working my way through crafting a journal series about how I use film photography for my business, and hopefully educate some brides and other photographers along the way!

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More on Kodak Portra 400

More on Kodak Portra 400

In my last entry, I wrote about my journey with two distinct film stocks, Kodak Portra 400 and Fujifilm Pro 400h. I have such mixed feelings about which film I love using. They are both great films but very different. One is very warm and slightly punchy, while one is cool toned and muted. In the right setting, Fujifilm, the cool toned film just shines. It soaks up light which I love. On the other hand, Portra is warm, contrasty and filled with color! I find that my style is often a combo of both. Warm, medium to low contrast, with pops of color. In the past, I’ve shot on Fuji and warmed it up to look like Portra. So, naturally, I’m thinking Why not just shoot Portra?

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